PUBLIC NOTICE | FORMAL CEASE AND DESIST

holly burgess issues FORMAL CEASE & DESIST to Marquette university

Sun 04/05/26 10:03 PM

NOTICE OF RESCISSION

Monday, April 6, 2026 at 7:19 PM

ALL ACKNOWLEDGMENTS AND EXPRESSIONS OF GRATITUDE REGARDING MARQUETTE UNIVERSITY, ITS ADMINISTRATION, AND ITS DONOR NETWORKS ARE HEREBY FORMALLY RESCINDED.

This action is taken pending the outcome of a Federal Civil Rights and Whistleblower Audit.

This site and its associated research on "Transcribing Brutality" now serve as a record of administrative and fiduciary negligence. Any further unauthorized use of my likeness or intellectual property by the institution is subject to immediate legal action.

Education is the passport to the future, for tomorrow belongs to those who prepare for it today.
— Malcolm X

Teaching Overview

Stack of books with titles including 'The Autobiography of Malcolm X,' 'Black Power,' 'Malcolm X by Any Means Necessary,' 'To Die for the People,' 'Spike Lee,' 'Revolutionary Suicide,' 'The Hate U Give,' 'Assata,' 'The Afterlife of Malcolm X,' 'Say Their Names,' 'Tupac Shakur,' and 'The Dead Are Arising.'

Photo by Holly E. Burgess

Neon red badge with a star and ribbon design, symbolizing achievement or award.

Teaching Philosophy

My teaching is grounded in the belief that learning is a transformative process that shapes personal and societal understanding. As an African American educator, I recognize the historical denial of literacy to my ancestors, and I approach teaching as a responsibility to highlight the importance of Black activism, culture, and literature. In my classrooms, I strive to create engaging, inclusive spaces where students can explore identity, culture, and social justice while developing critical thinking and writing skills.

I teach African American literature and culture using multimodal and interdisciplinary approaches that center texts by Black writers, rappers, and scholar-activists. My instruction emphasizes active engagement with cultural production, including music, literature, film, and youth media. For example, in my course Books that Matter: African American Youth Culture and Literature (ENGL 2011), students read Tupac Shakur’s The Rose That Grew from Concrete, Angie Thomas’s The Hate U Give, and Janelle Monáe’s The Memory Librarian. These texts allow students to trace the intergenerational roots of Black activism, connecting the Black Power Movement to contemporary movements such as Black Lives Matter. Through assignments such as poetry composition, textual analysis, and research on historical figures mentioned in the texts, students explore the intersections of literature, music, and activism while developing their critical and creative skills.

In my composition courses, including Foundations in Rhetoric (ENGL 1001), students examine identity, African American English, and code-meshing. Assignments like “Words Matter” challenge students to research and reflect on complex or derogatory terms, fostering critical awareness of language, culture, and power.

I incorporate comparative analyses to highlight connections between cultural forms and political action. For example, students compare Tupac Shakur’s The Code of T.H.U.G. L.I.F.E. and the Black Panther Party’s Ten-Point Program to explore how hip-hop and activist movements address social, political, and educational needs within Black communities. These exercises demonstrate to students the ongoing evolution of Black resistance and cultural expression.

I strive to create classrooms that are diverse, equitable, and accessible, where students feel a sense of belonging and are encouraged to embrace their identities and voices. I achieve this through discussion, office hours, writing prompts, conferences, and anonymous check-ins to assess students’ understanding and well-being. My teaching philosophy emphasizes mentorship, student-centered learning, and the cultivation of intellectual, creative, and social growth. I continuously refine my teaching through engagement with current scholarship, student feedback, and collaboration with colleagues.

Teaching experience

Marquette University: Courses Taught

ENGL 1001: Foundations in Rhetoric

Spring 2023


Thematic Title: African American Youth Culture and Literature

Thematic Title: Academic Literacies

Fall 2017, Fall 2016

Fall 2022—Spring 2023

ENGL 2011: Books That Matter


ENGL 1002: Rhetoric and Composition 2

Spring 2018, Spring 2017

Thematic Title: Public Literacies


ENGL 1001: Rhetoric and Composition 1


Additional teaching experience

Teaching Tips, Tricks, and Troubleshooting

Fall 2024

Co-organizer and Panelist
English Department
Marquette University


Microteaching Mentor

Fall 2017


Teaching Assistant Orientation
English Department
Marquette University

Teaching research

My teaching research extends into visual and digital media, including posters on Black revolutionary rhetoric and pedagogy.

“Revolution Amidst Lockdown: Black Lives Matter in Anderson .Paak’s “Lockdown”

2025

Flash Talk, Writing Innovation Symposium
Mise en Place
Marquette University
​January 2025


2024

"Freezing Time: The Role of the Timebox in Janelle Monáe's The Memory Librarian: And Other Stories of Dirty Computer”

Flash Talk, Writing Innovation Symposium
Writing Humans
Marquette University
February 2024


2023

Poster Presentation
Courageous Collaborations Conference
Institute for Women's Leadership
Marquette University
March 2023

"'Love Me for Who I Am': Intersectional Feminism, Queer Love, and Rebellion in Janelle Monáe's Dirty Computer and The Memory Librarian"


 “‘Git Woke’: Incorporating African American Vernacular English into the Composition Classroom”

2016

The 23rd Annual University of Wisconsin-Milwaukee and Marquette Poster Conference, UW-Milwaukee
​December 2016


Teaching Portfolio & Artifacts

A comprehensive look at my curriculum design, student feedback, and public scholarship.

Teaching Portfolio Navigation